Circulation | Exchange
,
Kate Palmer Albers
What We Don’t See
December 10, 2019
Looking for Betty
November 6, 2019
My 37 Cats
February 2, 2019
Hiding in Plain Sight: Mistakes, Mishaps, and Possi...
January 14, 2019
Art highlights of 2018
January 9, 2019
Gender & Imaging in the Online Realm: A conversatio...
November 2, 2017
FaceApp: A Graduate Seminar
July 6, 2017
The Pig and the Algorithm
March 4, 2017
At My Desk and In My Hand: Nine Ways I Enjoyed Phot...
December 21, 2016
A Conversation with Duncan Forbes
October 19, 2016
The Hereafter Institute: A Letter from Violet
August 29, 2016
A Conversation with Paul Soulellis
July 21, 2016
On Experiential Value & Digital Materiality
July 13, 2016
Becoming a Stock Image, and other Surrogates for th...
May 18, 2016
About Writing Online: Questions from Creative Capital
May 11, 2016
Geolocation: A Conversation
March 29, 2016
wish you were tweeting about me: on Nate Larson & M...
March 29, 2016
Materiality & Circulation: Three Museum Views
March 8, 2016
Becoming an Image: Amanda Ross-Ho's The Character a...
February 24, 2016
At My Desk and In My Hand: 10 Ways I Enjoyed Photog...
December 18, 2015
Public Life and the Private Screen: Mishka Henner’s...
December 3, 2015
The Value of Ephemeral Photographs, or, Everything ...
October 22, 2015
In Praise of the Large Format Selfie Stick
October 8, 2015
Penelope Umbrico: A Proposal and Two Trades, to start
September 30, 2015
Abundant Images and the Collective Sublime
October 1, 2013
Other Writing | Elsewhere
Schematic Traces: Systems of Making
(2018)
Default Delete: Photographic Archives in a Digital Age
(2017)
#beforeandafter
(2016)
