Circulation | Exchange
,
Kate Palmer Albers
Under the Blue Sun: Fabiola Menchelli in Aperture
April 1, 2022
The photo is a wish encoded in an anxious object
February 25, 2022
New in print! The Night Albums
December 1, 2021
Floating with Eleanor: in Running, Falling, Flying,...
March 1, 2021
Polaroids at Bombay Beach
February 20, 2021
2020 notes
December 31, 2020
What We Don’t See
December 10, 2019
Looking for Betty
November 6, 2019
My 37 Cats
February 2, 2019
Hiding in Plain Sight: Mistakes, Mishaps, and Possi...
January 14, 2019
Art highlights of 2018
January 9, 2019
Gender & Imaging in the Online Realm: A conversatio...
November 2, 2017
FaceApp: A Graduate Seminar
July 6, 2017
The Pig and the Algorithm
March 4, 2017
At My Desk and In My Hand: Nine Ways I Enjoyed Phot...
December 21, 2016
A Conversation with Duncan Forbes
October 19, 2016
The Hereafter Institute: A Letter from Violet
August 29, 2016
A Conversation with Paul Soulellis
July 21, 2016
On Experiential Value & Digital Materiality
July 13, 2016
Becoming a Stock Image, and other Surrogates for th...
May 18, 2016
About Writing Online: Questions from Creative Capital
May 11, 2016
Geolocation: A Conversation
March 29, 2016
wish you were tweeting about me: on Nate Larson & M...
March 29, 2016
Materiality & Circulation: Three Museum Views
March 8, 2016
Becoming an Image: Amanda Ross-Ho's The Character a...
February 24, 2016
At My Desk and In My Hand: 10 Ways I Enjoyed Photog...
December 18, 2015
Public Life and the Private Screen: Mishka Henner’s...
December 3, 2015
The Value of Ephemeral Photographs, or, Everything ...
October 22, 2015
In Praise of the Large Format Selfie Stick
October 8, 2015
Penelope Umbrico: A Proposal and Two Trades, to start
September 30, 2015
Abundant Images and the Collective Sublime
October 1, 2013
Other Writing | Elsewhere
Schematic Traces: Systems of Making
(2018)
Default Delete: Photographic Archives in a Digital Age
(2017)
#beforeandafter
(2016)
